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How do you label a scene that takes place both inside and outside? | Screenwriting.io
2012-01-30 13:20:53 (читать в оригинале)Вопросы и ответы
If a scene transitions from INT. to EXT. or visa-versa, you should have a new scene heading:
EXT. BACKYARD – NIGHT
Masks pulled down, they insert the pick into the lock. They turn the torque wrench and enter…
INT. LAUNDRY ROOM – CONTINUOUS
If a scene breaks between INT. and EXT., you should include both in the scene heading:
INT./EXT. DANI’S BEDROOM – NIGHT
Steven pelts another rock at her window. She relents, and opens it.
DANI
My dad will hear you!
Источник: How do you label a scene that takes place both inside and outside? | Screenwriting.io.
Glossary | A ton of useful information about screenwriting from screenwriter John August
2012-01-30 10:04:26 (читать в оригинале)Глоссарий
EARNED
The sense that a story moment has come about organically and logically, particularly in terms of character motivation. (“I don’t think you really earned Megan’s decision to give up the baby on page 21.»)
Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.
In television, what are “upfronts?” | Screenwriting.io
2012-01-29 14:01:26 (читать в оригинале)Вопросы и ответы
Upfronts are presentations (and together, an event) where the major television networks preview their upcoming fall and midseason series for advertisers, the press, and the other networks. Recently, focus has shifted away from small meetings geared towards advertising sales and more towards large presentations, often featuring shows’ talent.
The upfronts are held in New York the third week of May.
For TV development, they are the ceremonial end of pilot season, where the year’s work is displayed.
Источник: In television, what are “upfronts?” | Screenwriting.io.
Glossary | A ton of useful information about screenwriting from screenwriter John August
2012-01-29 10:24:37 (читать в оригинале)Глоссарий
SINGLE-CAMERA
A television show that is shot more like a feature film, using one or two cameras with several setups for each scene , rather than recording all the action from multiple cameras. Most dramas are single-camera; most comedies are three-camera . «Sex and the City» and «Malcolm in the Middle» are examples of comedies that are shot single-camera.
Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.
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