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2012-01-24 20:10:37 (читать в оригинале)



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In dialogue, how do you express that one character is interrupting another? | Screenwriting.io

2012-01-24 12:42:54 (читать в оригинале)

Вопросы и ответы

As with all formatting advice, the idea is to clearly express your vision without interrupting the flow of the screenplay.

One easy way to show one character interrupting another is to use double-dashes or an elipsis to indicate the first character’s dialogue is being interrupted.

SETH

How about —

ERIN

No.

Both doble-dashes and ellipses indicate an unfinished thought, but double-dashes are usually the safer bet for interruption, as they indicate an abrupt cutoff, while an elipsis implies the idea trailed off.

Another option is to include the parenthetical “interrupting” if clarification is necessary.

SETH

Looking through our other options…

ERIN

(interrupting)

No. Still no. None of those.

Источник: In dialogue, how do you express that one character is interrupting another? | Screenwriting.io.

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Glossary | A ton of useful information about screenwriting from screenwriter John August

2012-01-24 10:26:24 (читать в оригинале)

Глоссарий

PROTAGONIST

The central character in a story, generally synonymous with hero . This character drives the plot and is typically changed the most based on what he or she encounters.

Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.

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Объявление

2012-01-23 16:45:19 (читать в оригинале)

Ищем толкового и активного smm-менеджера. Надо серфить социальные сети, много и хорошо писать, креативить и проводить промо акции в социальных сетях. Весело и вкусно отвечать на комментарии. Работа на телике над интересным проектом, вместе с очень офигенскими ребятами. Все вопросы в мыло flywild108@gmail.com

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How do I deal with a group of characters? | Screenwriting.io

2012-01-23 12:04:16 (читать в оригинале)

Вопросы и ответы

When you have a group of characters that are together throughout a majority of a movie, or even just a bunch of consecutive scenes, it’s fine to refer to them collectively: “The four of them walk to the building.”

If intervening scenes don’t feature the group, it’s a good idea to mention the characters each by name remind readers who is part of the group.

When dealing with a large and well-defined group — such as a football team or a show choir — it’s fine to refer to them as a group. Readers will assume the whole group is present unless you specifically exclude someone.

Источник: How do I deal with a group of characters? | Screenwriting.io.